| Patan Yala |
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| — City — | |
| Bird's eye view of the Patan Durbar Square. It has been listed by UNESCO as a World Heritage Site | |
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Patan
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| Coordinates: | |
| Country | Nepal |
| Zone | Bagmati Zone |
| District | Lalitpur District |
| Incorporated | 1918 |
| Population (2001) | |
| • Total | 162,991 |
| Time zone | Nepal Time (UTC+5:45) |
| Website | Official Website |
Patan (Sanskrit: पाटन Pātan, Nepal Bhasa: यल Yala), officially Lalitpur Sub-Metropolitan City, is one of the major cities of Nepal. It is one of the sub-metropolitan cities of Nepal located in the south-western part of Kathmandu valley. Patan is also known as Manigal. It is best known for its rich cultural heritage, particularly its tradition of arts and crafts. It is also called as city of festival and feast, fine ancient art, making of metallic and stone carving statue. At the time of the 2001 Nepal census it had a population of 162,991 in 68,922 individual households.[1][2]
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Patan is situated on the elevated tract of land in Kathmandu Valley on the south side of the Bagmati River, which separates it from the City of Kathmandu on the northern side. It was developed on relatively thin layers of deposited clay and gravel in the central part of a dried ancient lake known as the Nagdaha.
It is among the largest cities in the country, along with Kathmandu, Pokhara, and Biratnagar.
The city spreads over 16 sq. kilometres and is divided into 22 Municipal wards. The city is bounded by:[3]
Lalitpur is believed to have been founded in the third century B.C. by the Kirat dynasty and later expanded by Licchavis in the sixth century. It was further expanded by the Mallas during the medieval period. There are many legends after its name. The most popular one is the legend of the God Rato Machhindranath, who was brought to the valley from Kamaru Kamachhya, located in Assam, India, by a group of three people representing three kingdoms of the Kathmandu Valley. One of them was called Lalit, a farmer who carried God Rato Machhindranath to the valley all the way from Assam, India. The purpose of bringing the God Rato Machhindranath to the valley was to overcome the worst drought in the valley. There was a strong belief that the God Rato Machhindranath will make rain in the valley. It was due to Lalit's effort that the God Rato Machhindranath was settled in Lalitpur. Many believe that the name of the town is kept after his name Lalit and pur meaning township.
Lalitpur said to have been founded by King Veer Deva in 299 A.D. but, there is unanimity among scholars that Patan was a well established and developed town since ancient times. Several historical records including many other legends also indicate that Patan is the oldest of all the cities of Kathmandu Valley. According to a very old Kirat chronicle, Patan was founded by Kirat rulers long before the Licchavi rulers came into the political scene in Kathmandu Valley. According to that chronicle, the earliest known capital of Kirat rulers was Thankot. Kathmandu, the present capital was most possibly removed from Thankot to Patan after the Kirati King Yalamber came into power sometimes around second century A.D.
One of the most used and typical Newar names of Patan is Yala. It is said that King Yalamber or Yellung Hang named this city after himself and ever since this ancient city was known as Yala..
A substantial portion of the population is engaged in various trades, notably in traditional handicrafts and small scale cottage industries and some residents work in agriculture. Lalitpur is the city in Nepal that has produced the highest number of renowned artists and finest craftsmen ever recorded in the history of Nepali art.
Patan has maintained a culture of craft work even in the face of rapid urbanization and many social and political upheavals.
The city is less urbanized than Kathmandu, north of the Bagmati river, but is home to many workshops, stores, restaurants, hotels, schools, embassies and other important sectors of the Kathmandu Valley economy.
Buddha Air has its headquarters in Jawalakhel,[4] near Patan.[5]
The city was initially designed in the shape of the Buddhist Dharma-Chakra (Wheel of Righteousness). The four thurs or mounds located on the perimeter of Patan are ascribed around, one at each corner of its cardinal points, which are popularly known as Ashoka Stupas. Legend has it that Emperor Asoka (the legendary King of India) visited with his daughter Charumati to Kathmandu in 250 B.C. and erected five Ashoka Stupas, four in the surrounding and one at the middle of the Patan. The size and shape of these stupas seem to breathe their antiquity in a real sense. There are more than 1,200 Buddhist monuments of various shapes and sizes scattered in and around the city.
The most important monument of the city is Patan Durbar Square, which has been listed by UNESCO as one of seven Monument Zones that make up the Kathmandu Valley World Heritage Site.
Patan City was planned in Vihars and Bahils. Out of 295 Vihars and Bahils of the valley 56% of them are in Patan. The water conduits, stone spouts, Jaladroni (water tanks), artistic gate ways, Hindu temples and Buddhist Vihars adorn the city. The in built cultural heritage like the royal palace, with intricately carved doors and windows and beautiful courtyards adorned with exquisite icons enhance the beauty of the city. Such art pieces are found in stone, metal, terracotta ivory and other objects. All these artifacts exhibit artistic excellence of the craftsmen and the whole city looks like an open museum.
The monument zone of Patan Durbar Square is one of the seven monument zone of Kathmandu Valley. The seven monument zones were included in the World Heritage List in 1979 as one integrated site. All these monument zones are declared as the protected monument zones according to the Monuments Preservation Act of 1956.
Patan is renowned as a very artistic city. Most of the Nepalese art of any form is devoted to Gods, and there are an abundance of temples and vihara in the city. Notable places of interest include:
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